傀儡戏影戏与元杂剧叙事的生成——为孙楷第“傀儡说”正名  

Generation of Puppet Shadow Plan and Variety Play of the Yuan Dynasty——The Rectification of Name for Sun Kaidi's Puppet Theory

作　　者：宋常立[1] 

机构地区：[1]天津师范大学文学院,天津300387

出　　处：《北京社会科学》2015年第6期60-69,共10页Social Sciences of Beijing

基　　金：国家社会科学基金项目(06BZW039)

摘　　要：长期以来,学术界多将孙楷第"宋元以来之戏文杂剧出于傀儡戏影戏"的观点,理解为是在谈戏曲"表演"的来源问题。本文认为,孙楷第《近世戏曲的唱演形式出自傀儡戏影戏考》一文具体论证的不是戏曲"表演"的来源而是戏曲"故事"的"唱演形式"的来源及生成问题,即戏曲叙事的生成问题;这本是孙楷第的一个重要贡献,却长期被误读,故有为其正名的必要。For a long time,Sun Kaidi's opinion that 'variety play since Song and Yuan Dynasty originated from puppet shadow play among academic sector ' was viewed as the discussion of origin of traditional opera and 'performance',which is a misinterpretation for his puppet theory. In fact,with regards to Mr Sun Kaidi's article of Performance with Singing of Opera Comes from Puppet Play,it mainly validated singing formality of Opera Story and its origin, also as generation issue of opera narrative rather than performance of opera. Since this job was not done before,it was an important contribution of Sun Kaidi. It has the necessity of rectification.

关 键 词：傀儡戏 影戏 元杂剧叙事 

分 类 号：I207.37[文学—中国文学]