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机构地区:[1]暨南大学党委,广州510632 [2]暨南大学文学院,广州510632
出 处:《中国高校社会科学》2016年第1期127-134,159,共8页Social Sciences in Chinese Higher Education Institutions
基 金:国家社科基金重点项目“流行文艺与主流价值观关系研究”(12AZW001)成果
摘 要:艺术和市场存在一种既相互排斥又相互牵引的张力关系。在相容性上,艺术需要市场来传播其精神价值,市场需要通过对艺术的资本运作创造经济收益;在排斥性上,市场运作使得艺术品的经济效益被放大,而艺术发展必需的创新性却遭到挤压。因此,多层次的艺术市场体制和人才培养机制需要建立完善。同时,由于市场把艺术置入一个由艺术家、受众、批评家、媒体、政府管理者、投资者等一系列主体构成的公共场域,那么艺术与市场之间冲突的解决之道,便是寻求艺术公共领域的构建,从而在多元的审美交流中走向共同的文化认同。There is a tension relationship with mutually exclusion and mutually traction betweenart and market. In terms of compatibility, art needs market to spread its spiritual value, and marketneeds capital operation on art to create economic benefits. In terms of exclusion, operation of the market makes the economic benefits of art constantly enlarge, while the avant-garde and innovative thatarts development require has been squeezed. So we need to improve a multilevel art market systemand personnel training system. Meanwhile, market pushes art into a public field composed by a se-ries of artists, audiences, critics, media, government regulators, investors, etc., so, the approach tosolve the conflict between art and market is to construct art's public domain and walk towards com-mon culture identity in the diverse aesthetic exchange.
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