独幕剧阶段教学中的案头工作  

Deskwork in the Phase of Teaching One-Acter

作　　者：贺祝平[1] 

机构地区：[1]贵州大学艺术学院,贵州贵阳550025

出　　处：《教育文化论坛》2015年第6期78-81,共4页Tribune of Education Culture

摘　　要：分析剧本在影视戏剧表演、导演艺术中称之为"案头工作",也就是在进入角色形象创造前理性的准备工作。戏剧文本是学生(演员)进行人物创造的基础和依据,分析剧作家的戏剧文本是学生(演员)进入人物创造的最开始步奏。学生(演员)在排演创作初期首先要通过剧作接触剧中人物,只有对剧作及剧作中所要扮演的角色有深入的了解及深刻地理解后,才谈得上去塑造角色。The script analysis in performance and conducting of films and TV plays is called＂the deskwork＂,i. e.,the rational preparation before creating images of roles. The dramatic text is the foundation and thereunder for students（ actor and actress） to create characters and its analysis is a initial process for students to create the characters. In the initial stage of rehearsal,the students should first contact the characters in the drama through the text before there is any possibility to have deep acquaintance with and understanding of the characters to be acted upon and to create roles.

关 键 词：独幕剧 剧本分析 案头工作 

分 类 号：G642.1[文化科学—高等教育学]