多样化的书写方式:20世纪80年代以来红歌的生存与发展  

In the Writing of Diversification: the Survival and Development of Red Songs since 1980s

作　　者：熊申英[1] 罗南石[1] 

机构地区：[1]南昌航空大学,江西南昌330063

出　　处：《南昌航空大学学报（社会科学版）》2015年第4期103-107,共5页Journal of Nanchang Hangkong University(Social Sciences)

基　　金：2014年江西省高校人文社会科学研究项目"中国摇滚乐的叙事研究"(YS1436)

摘　　要：作为一种具有特殊象征意义的符号,20世纪80年代以来,红歌借助于政治信仰中的续写、文化怀旧中的再写和时代语境中的改写等书写方式,在传承与创新、反思与重构中彰显其顽强的生命力和特殊的文化意义。作为一种传承特定文化的载体,它既要有保持其特定文化意义的书写方式,又要能因为时代的变迁所带来的冲击而不断更新;它既蕴藏着质疑与反叛的目光,又在这样的目光中追寻另一种文化意义;它既承载着历史赋予的文化责任,又在这样的责任中不断得到升华;这便是80年代以来红歌借助于多样化的书写方式而呈现出来的生存与发展。As a symbol of a special symbolic meaning,Red Songs highlights their tenacious vitality and special cultural significance in inheritance,innovation,reflection and reconstruction by means of written in political beliefs,rewritten in cultural nostalgia and era context since the 1980 s. As a carrier of a specific culture,they are not merely to have a writing mode to maintain their specific cultural significance,but also updated constantly under the impact of the change of times. They contain both the question and the rebellious eyes,and also in this way to pursue another cultural meaning. They are bearing the weight of the culture of historical responsibility,and getting distillation constantly in such responsibility. That are the Red Songs＇ existence and development by means of diversified？writing since the 1980 s.

关 键 词：红歌 多样化 书写方式 

分 类 号：J609.2[艺术—音乐]