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作 者:刘圣鹏[1]
出 处:《宁波大学学报(人文科学版)》2016年第1期8-12,共5页Journal of Ningbo University:Liberal Arts Edition
摘 要:城市美学,是美学与城市学之间的交叉科学,它的出现既是美学从理论走向实践的结果,又是现代城市从单纯功能型城市走向复合审美型城市的发展动向在美学研究领域的必然反映。江南城镇美学研究,综合运用中西城市美学、环境美学和生态美学的理论成果,根据我国目前各类城市协调发展需要,顺应生态和人文环境的现代城市发展新理念、新趋势的战略布局,广泛联系江南特色城市、特别是小城镇(浙北、苏南地区为主)作为地方性审美经验的自然、历史、人文和个性等四个城市美学的具体研究方面,对江南城镇审美品格给予理论定位和实践批评,对城市建设的经济行为和法规制度形成有机制约之局,建构江南城镇美学体系。Urban Aesthetics is an interdisciplinary academic subject between Aesthetics and Urbanology. The outcome of Urban Aesthetics is not only the result of the Aesthetics’ turn from theory to practice, but also is the reflection of the city’s turn from functional to compound. Urban Aesthetics in Southeast China, takes an comprehensive application of Urban Aesthetics, Environmental Aesthetics, and Eco-Aesthetics, by putting stress on the local Aesthetic experience in the small towns scattered all over South-Jiangsu and North-Zhejiang. By constructing a new type of Urban Aesthetics which includes the study of nature, history, humanities and individuality as a whole, is altogether helpful to an ecological and humanist urban Chinese city.
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