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机构地区:[1]上海师范大学人文与传播学院,博士研究生200234
出 处:《江苏社会科学》2016年第1期184-191,共8页Jiangsu Social Sciences
基 金:国家哲学社会科学基金重点规划项目"东亚汉诗史初稿"(编号:14AZW007);上海市哲学社会科学规划项目"东亚汉诗学新论"(编号:2013BWY005)中期成果
摘 要:明清诗话评论陶渊明诗,传承注重渊源的传统,对历代论述陶诗渊源的众多说法进行了细致考辨,证伪论正,推陈出新,堪称历代陶诗研究的集大成。本文以爬梳明清诗话文献为中心,归纳明清诗人对于陶渊明诗渊源的重要论述,辨析陶诗是否"出于应璩",陶渊明五言诗与《古诗十九首》的关系,陶渊明四言诗与《诗经》的关系等重要争议问题,以期梳理明清时期陶渊明诗歌典范的建树过程,并通过具体诗作评论的辨析,恰如其分地确认陶诗的特质以及在中国诗歌史上的重要地位。As one of the most important periods in the study of Tao Yuanming' s poetry, scholars in the Ming and Qing Dynasties inherited the traditional methods in finding the originals. They carefully analyzed previous research, and put out a more exact view of it. This paper summarizes some important viewpoints of the origin of Tao Yuanming' s poetry, which come from the poets in the Ming and Qing Dynasties. It analyzes whether Tao "learnt from Ying Qu", the relationship between Tao Yuanmin' s Five Characters Poetry and "the Nineteen Ancient Poems", and Tao Yuanming' s four words poetry and "The Book of Songs". These questions made the biggest controversies in the study of Tao' s poetry. By distinguishing and analyzing these poems, this paper is expected to find out the process of Tao' s poetry as a type in the Ming and Qing Dynas- ties, and recognize the contribution and the position of Tao' s poetry in the history of Chinese poetry.
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