产业化背景下甘孜藏区民族音乐的传承  

The Inheritance of Ethnic Music in Garze Prefecture in the Process of Industrialization

作　　者：薛鳗[1] 

机构地区：[1]四川民族学院团委

出　　处：《四川民族学院学报》2015年第6期62-65,共4页Journal of Sichuan Minzu College

基　　金：四川省教育厅人文社科一般项目--"基于文化产业视角的甘孜藏区少数民族音乐现代变迁与传承研究"成果;项目编号:14SB0264

摘　　要：在时代的变迁中,少数民族音乐呈现出产业化发展的新态势,为满足不同欣赏诉求需要的观众,也为赢得更好的市场利益和经济效益,正主动或被动的发生着许多改变。文章以甘孜藏区民族音乐为例,探讨如何在产业化发展过程中不盲目跟风,更好地传承民族音乐,不失其独特的艺术形态、艺术魅力与艺术价值。In order to meet the needs of different audience and economic benefit, the ethnic minority music tends to experience a lot of changes actively or passively to adapt to a new situation of industrial development. The article explores the ethnic minority music in Garze Tibetan region and takes it as an example to try to find a better way to inherit the ethnic music without following the trend blindly, and without losing its unique artistic forms, artistic charm and artistic value.

关 键 词：产业化 甘孜藏区 民族音乐 传承 

分 类 号：J607[艺术—音乐]