清醉耕堂本《水浒传》绣像、图赞系统研究——以重刻醉耕堂本为例  

Systematic Study on the Tapestry Portraits and Illustration Eulogies of Zuigengtang Edition of The Water Margin

作　　者：李慧[1] 张祝平[1] 

机构地区：[1]南通大学文学院,江苏南通226019

出　　处：《菏泽学院学报》2015年第6期6-10,共5页Journal of Heze University

基　　金：江苏省研究生科研创新计划项目(CXZZ13_0862);南通大学研究生科技创新计划项目(YKCI13029)

摘　　要：醉耕堂本是《水浒传》在清代出现的第一本有图赞的版本,此本引用了明代陈老莲所作的《水浒叶子》人物绣像、图赞,开《水浒传》小说绣像本的先河。重刻醉耕堂本是醉耕堂本的翻刻本,它重现了醉耕堂本的原貌。此本中夸张、幽默的绣像、独到又富于个性的图赞,得到了后世的广泛认可,堪称清代《水浒传》图赞本中的典范。Zuigengtang edition of The Water Margin is the first edition which contains illustration eulogies. It adopts the tapestry portraits and illustration eulogies of Chen Laolian＇ s The Water Margin Leaves, then tapestry portraits version of The Water Margin exists. The reprinted Zuigengtang edition was reprinted Zuigengtang edition, it reproduces the original appearance of Zuigengtang edition. Praise the exaggeration, humor pictures, unique and full of personality of this edition, get the later is widely recognized, called wonderful model of illustration eulogies edition of the The Water Margin in the Qing Dynasty.

关 键 词：《水浒传》 重刻醉耕堂本 图赞 

分 类 号：I207.412[文学—中国文学]