被窃的侦探小说:帕慕克玄学侦探小说论  

The Purloined Detective Fiction: On Orhan Pamuk's Metaphysical Detective Novels

作　　者：陈玉洪[1] 

机构地区：[1]兰州大学外国语学院,甘肃兰州730000

出　　处：《兰州大学学报（社会科学版）》2015年第6期151-157,共7页Journal of Lanzhou University（Social Sciences）

基　　金：教育部人文社会科学研究青年基金"帕慕克与东西方文学传统的比较研究"(11YJC752002);中央高校基本科研业务费专项资金资助(13LZUJBWZY009)

摘　　要：奥尔罕·帕慕克的侦探小说特点已经引起国内外学界的注意,然而现有的研究未将帕慕克与传统侦探小说从本质上进行区分。《我的名字叫红》《黑书》《雪》等作品属于反侦探小说或称玄学侦探小说范畴。作者"窃取"和改写传统侦探小说文本,颠覆传统的侦探形象和情节结构,质疑认知的有效性和真理的一元性,动摇理性王国和"我思"的本体性地位,体现出不可知论和反一元论的特点。帕慕克从本体论角度追问存在之谜和身份之谜,以文学叙事的方式回应世俗化和西化洪流中的土耳其民族身份问题。Researchers have found that Orhan Pamuk employs the genre of detective fiction in such novel as My Name Is Red, The Black Book and Snow. They regard him as a writer of whodunit. The present paper argues that Pamuk is actually writing anti-detective novels or metaphysical detective novels. By purloining and rewriting the traditional genre, Pamuk creates texts characterized by failed detectives as well as ontological quest of identity, which subverts the Cogito and the Reason Kingdom. By metaphysical detective fiction, he responds to the issue of Turkishness in the face of secularization and westernization.

关 键 词：奥尔罕·帕慕克 玄学侦探小说 真相 身份焦虑 

分 类 号：I106.4[文学—世界文学]