相见不如怀念——对中国当代艺术生存现状的几点反思  

Better to Miss Than to Meet: Some Thoughts on the Current Status of Contemporary Art in China

作　　者：刘世洁[1] 

机构地区：[1]天津美术学院艺术与人文学院

出　　处：《天津美术学院学报》2015年第4期37-41,共5页Northern Art:Journal of Tianjin Academy of Fine Arts

摘　　要：今年风靡网络媒体的上海涂鸦艺术事件,引发了关于怀旧话题的思考。由此所反映出对涂鸦艺术形式缺少认识的问题,揭示出中国当代艺术创作与艺术受众之间的矛盾。本文试图论述造成艺术接受层面所存在的这一问题的原因,并结合美院青年毕业作品与网络流行文化两个事例,对其在打破艺术圈的局限,营造符合大众文化取向的艺术形式方面所取得的成功之处进行分析。The Shanghai Graffiti Event spreading quickly online aroused a hot debate over nostalgia. The discussion revealed people’s lack of understanding of graffiti, and also the contradiction between contemporary art and the audience. This paper, on the one hand, tries to discuss the reasons of this contradiction, and on the other hand, analyzes how the graduation artworks of TAFA students and popular internet culture successfully broke the barrier of art to win the acceptance of the public.

关 键 词：上海涂鸦墙 当代艺术 波普 大众文化 怀旧 

分 类 号：J124[艺术—艺术理论]