八大山人绘画中鱼形象的演变诌议  

EVOLVED FISH IMAGE IN BADASHANREN PAINTING

作　　者：郝燕[1] 吕美[1] 伊华丰[2] 

机构地区：[1]沈阳建筑大学设计艺术学院 [2]沈阳建筑大学建筑与规划学院

出　　处：《设计》2016年第3期88-89,共2页Design

摘　　要：鱼的形象很早便在中国美术史中出现了。历代对八大山人的研究多着意于花鸟画。而对八大山人的花鸟画的研究又多从他所画的荷花、鸟禽入手,以此联系生平、思想和画迹。但从未有人深入研究过八大山人所画的鱼的形象。依照现今存世的经鉴定为可靠的真迹便可梳理出一条有关八大山人作品中鱼的形象在艺术语言方面的发展脉络。The fish＇s image has appeared in the history of Chinese art very early. Studies on the past are maily in the Badashanren flower and bird painting. And of Badashanren flower and bird painting researches, most are from his paintings of flowers and birds linked to the life, thought and the mark. But few studies are about Badashanren painting images of the fish. According to the nowadays, identified as reliable authentic can tease out the image of fish in a Badashanren works in the art language development context.

关 键 词：八大山人 鱼 艺术形式 

分 类 号：J212[艺术—美术]