赵宝刚“青春三部曲”的爱情抒写  

The Depiction of Love in ZHAO Bao- gang's “Youth Trilogy”

作　　者：魏家文[1] 

机构地区：[1]贵州大学人文学院,贵州贵阳550025

出　　处：《贵州大学学报（艺术版）》2015年第6期24-27,共4页Journal of Guizhou University Art Edition

摘　　要：赵宝刚的"青春三部曲"将80后推向荧屏,引发了观众收视的热潮。三部曲以新的情感抒写模式,将青春偶像剧与主流意识形态进行巧妙融合,打破了过去影视剧中两性对立的固有模式,在坚守传统道德的同时,以浪漫唯美的爱情赢得了观众的喜爱。但在传媒时代艺术商业化的大潮中,其作品在一定程度上存在着商业化、娱乐化包装问题,电视人应有的人文关怀和社会责任感还有待加强。ZHAO Bao - gang＇ s ＂youth trilogy＂ attracts greatly the generation after 80s and achieves a high audience rating. By adopting a new mode of emotional description, the trilogy integrates youth idol and mainstream ideology, breaks the inherent pattern of gender antagonism in the previous films and television dramas, and wins the audience＇ s favor with romantic and aesthetic love while sticking to the traditional morality. But ZHAO＇s works are permeated with commercialization and entertainment packaging to some extent in a media era of art commercialization and thus the humanistic concern and social responsibility as a TV professional should be strengthened.

关 键 词：赵宝刚 青春三部曲 爱情 

分 类 号：I207.352[文学—中国文学]