文化资源的转移对发展“非遗”产业的启示——以竹枝歌和五句子的流变为例  

Inspirations on the Transfer of Cultural Resources and the Development of Intangible Cultural Industry——Taking the Evolution of Zhuzhici and Five Sentence Songs as Examples

作　　者：柳倩月[1] 

机构地区：[1]湖北民族学院文学与传媒学院,湖北恩施445000

出　　处：《重庆文理学院学报（社会科学版）》2016年第1期1-6,共6页Journal of Chongqing University of Arts and Sciences（Social Sciences Edition)

基　　金：湖北省教育厅人文社科重点项目"明清以来湖北恩施地区民歌形态与源流研究"(项目号:2013-570);湖北民族学院博士启动基金项目"鄂西南非物质文化遗产民间文学的保护与传承研究"(项目号:MY2014B045)的研究成果

摘　　要：当代社会的文化产业竞争以文化资源的争夺为表征,而文化资源主要来自于历史文化的长期积累。在中国历史上,曾经出现竹枝歌由巴渝地区转向江南地区,进一步演变为中华竹枝词的过程;还曾出现五句子歌由"安徽歌圈"向"湖北歌圈"传播的过程。这两个民歌文化资源的转移事件中包含着文化资源发生转移的基本规律,并启示今人,发展"非遗"文化产业应具有共享历史文化资源和自觉保护、传播文化资源的意识。Contemporary cultural industry competition is characterized by the cultural resources. Cultural resources mainly come from the long-term accumulation of history and culture. In the Chinese history, Zhuzhici from Ba-yu was transferred to the south of the Yangtze River and for the further evolution of the Chinese Zhuzhici, five sentences song from Anhui song circle to Hubei song circle. These two events contain a basic law of cultural resource transfer. In order to develop intangible cultural industry, we should learn to share cultural resources, protect and inherit them conscientiously.

关 键 词：非遗文化产业 资源转移与共享 竹枝词 五句子歌 

分 类 号：F590.2[经济管理—旅游管理]