游走在真实与虚幻之间的合情合理——基于后现代解构主义视角解读巴塞尔姆的《白雪公主》  

The Reasonable between Reality and Illusion——A Postmodern Deconstructive Interpretation of Barthelme's Snow White

作　　者：边丽君[1] 

机构地区：[1]河南财政税务高等专科学校外语系,河南郑州451464

出　　处：《安徽警官职业学院学报》2015年第6期116-118,共3页Journal of Anhui Vocational College of Police Officers

摘　　要：巴塞尔姆是美国著名的后现代主义作家。在其代表作《白雪公主》中,作者表达了强烈的后现代主义创作风格,通过对经典童话《白雪公主》的颠覆重构,表达了作者对现实社会的批判以及强调在现实生活中不存在童话故事和童话式人物的个性观点。对巴塞尔姆的《白雪公主》的文字解读和创作手法的拆解等,基于后现代解构主义视角对巴塞尔姆的《白雪公主》进行了解读和反思。Barthelme is a famous postmodern American writer. In his masterpiece Snow White, the author exhibits an intensely postmodern style. By a subversive reconstruction of the classic fairy tale, the novel expresses the author’s criticism of social realities and the idiosyncratic emphasis that there are no fairy tale or fairy characters in real life. Based on a textual reading of Snow White and analysis of the creative techniques, this paper adopts a postmodern deconstructive perspective in interpreting and reflecting of the novel.

关 键 词：后现代主义 后现代解构主义 巴塞尔姆 白雪公主 

分 类 号：I025[文学—文学理论]