大众审美文化视域下的性别错置时尚及流行根源  

Gender Misplaced Fashion under the Horizon of the Public Aesthetic Culture in the New Century and Popular Root Cause Analysis

作　　者：祝嘉琳[1] 

机构地区：[1]华南师范大学文学院

出　　处：《当代青年研究》2016年第1期46-50,共5页Contemporary Youth Research

摘　　要："性别错置"这一概念大致借用了西方精神病学和心理学中的能指,特指生理性别上为女或者男,在性对象上是正常的(即爱恋异性),只是在气质上出现反向的现象,具体包含女性男性化与男性女性化两种。前者的代表有李宇春、周笔畅等,后者的代表有F4、木村拓哉、向鼎等。这一在当下青少年中得以流行的现象根源是根深蒂固的女性对男性的崇拜情结与消费社会下发达的大众传媒合谋的结果,而并非女性意识的觉醒。The concept 'gender misplaced' borrows the signifier of western psychiatry and psychology, especially the phenomenon that physiological gender is female or male and sex object is normal(that is, loving the opposite sex), just that the temperament is reverse, which specifically includes women masculine and male feminine.The representative examples of the former are Li Yuchun and Zhou Bichang,the latter are F4, Takuya Kimura, Xiang Ding, etc. The popular root cause of this phenomenon is the consequence of conspiracy that the ingrained female to male fetish and well-developed mass media in consumer society, rather than the awakening of female consciousness.

关 键 词：性别错置 女性男性化 男性女性化 根源 

分 类 号：D432.7[政治法律—政治学]