戏曲流变与文化空间:赣南东河戏繁荣与衰败的原因探析  

Changes of Opera and Its Cultural Space: The Reason of Gannan East Drama of Prosperity and Decline

作　　者：张政坤 郑紫苑[2] 

机构地区：[1]赣南师范学院历史文化与旅游学院,江西赣州341000 [2]赣南师范学院客家研究院,江西赣州341000

出　　处：《赣南师范学院学报》2016年第1期94-98,共5页Journal of Gannan Teachers' College(Social Science(2))

基　　金：2014年江西省艺术科学规划青年项目(YG2014014);2015年赣州市社会科学研究课题

摘　　要：东河戏是赣南地区诸多民间曲艺形式中的一种,从明中叶开始,发展到现在已经有400多年的历史。东河戏的变迁过程中,赣南地方社会文化作为背景为其提供了独特的文化空间。河戏的形成时期,弋阳腔、昆腔和乱弹诸腔调的融入极大地促进了它的繁荣发展。自19世纪末20世纪初以来,作为内在因素的演员、剧目和观众的流变以及作为外在因素国家权力的介入,则共同导致了它的衰败。Donghe play of Gannan region and many folk art forms in one,starting from the mid- Ming,the development now has400 years of history. Donghe play in the changing process,the Gannan local social and cultural background to provide a unique cultural space. Wherein,in the formative years of the East River play,Yiyang,Kun and strum all accent integration greatly contributed to its prosperity. Since the late 19 th and early 20 th century,as an intrinsic element of the rheological actors,repertoire and audience as well as external factors of state power to intervene,then together led to its decline.

关 键 词：东河戏 戏曲流变 文化空间 

分 类 号：J617.5[艺术—音乐]