泼寒胡戏被禁原因新探  

A New Exploration of the Reasons for the Prohibition of Po-han Singing-and-Dancing

作　　者：李建华[1] 

机构地区：[1]宁波大学人文与传媒学院,浙江宁波315211

出　　处：《宁波大学学报（人文科学版）》2016年第2期49-53,共5页Journal of Ningbo University：Liberal Arts Edition

基　　金：国家社科基金项目(09CZW027)

摘　　要：泼寒胡戏是北朝后期由西域传入中土的大型游戏活动,至唐武后、中宗朝臻于极盛,于玄宗即位初遭禁绝。泼寒胡戏被禁原因,大概有以下几点:首先,泼寒胡戏流行于胡汉关系相对融洽的初唐时期,至玄宗即位初,胡汉关系已逐步遭到破坏;其次,玄宗宠臣张说思想的变化对泼寒胡戏的禁绝起到很重要的作用;最后,玄宗禁绝泼寒胡戏表明其恢复关陇本位政策,重新经营西北边防的决心。The Po-han singing-and-dancing, a large-scale gaming activity in Tang Dynasty, was imported from the west region to Central China in the late Northern Dynasties. In the period of Empress Wu and Emperor Zhong-zong it reached the climax, and in the early period of Emperor Xuan-zong it was banned. The prohibition of Po-han singing-and-dancing probably can be attributed to the following reasons： First of all, Po-han singing-and-dancing was popular in the early Tang Dynasty which Hu-Han relations were relatively harmonious. But when the beginning of Emperor Xuan-zong ascended the throne, Hu-Han relations have been destroyed gradually. Secondly, the conception change of Zhang yue, Emperor Xuan-zong＇s favorite minister plays an important role in the prohibition of Po-han singing-and-dancing. Finally, Emperor Xuan-zong showed his determination of recovering Guanlong-based policy, and re-operating the Northwest Frontier ban by prohibitting Po-han singing-and-dancing.

关 键 词：泼寒胡戏 胡汉关系 张说 关中本位主义 

分 类 号：K242[历史地理—历史学]