论《等待戈多》中荒诞的真实  

On the Absurdity and Truth in Waiting for Godot

作　　者：魏振华[1] 

机构地区：[1]永城职业学院,河南永城476600

出　　处：《湖北函授大学学报》2016年第3期188-189,共2页

摘　　要：荒诞派戏剧经典作家塞缪尔.贝克特1969年凭借彻底的反传统剧作《等待戈多》摘取了诺贝尔文学奖的桂冠,正如评委会所给的获奖理由一样"他那具有奇特形式的小说和戏剧作品,使现代人从精神困乏中得到振奋"。《等待戈多》没有情节,没有戏剧冲突,没有人物形象塑造,只有杂乱无头绪的对话和荒诞插曲,却在1953年轰动法国,连演三百多场。这是和贝克特理性运用创新的戏剧形式描摹现代西方社会中人们失望和焦虑的真实状况分不开的,它让人去思考社会的灾难,人格的丧失,个性的毁灭,以及自身的百无聊赖和绝望,存在失去任何的意义。Samuel Beckett is one of the key representatives in what Martin Esslin called the ＂ Theatre of the Absurd＂ after the Second World War. For the radical anti- tradition Waiting for Godot,Beckett was awarded the 1969 Nobel Prize in Literature ＂ for his writing,which- in new forms for the novel and drama- in the destitution of modern man acquires its elevation＂ Such is the case,There is no strange plots,no gripping drama conflict,no vivid characters,no complicated scene layout in it. But it depicts the truth of modern mind status.

关 键 词：荒诞 反传统戏剧 等待戈多 

分 类 号：I106[文学—世界文学]