中国古典舞的历史前提与文化理则  

Historical and Cultural Premise of Chinese Classical Dance

作　　者：刘建[1] 高众[1] 

机构地区：[1]北京舞蹈学院舞蹈学系

出　　处：《民族艺术研究》2016年第1期172-179,共8页Ethnic Art Studies

摘　　要：在中国古典舞创建或重建的过程中,很多的现实问题往往也是历史问题,而很多的历史问题又常常是现实问题。如果能把历史问题与现实问题打通并成为自己的问题,或者说自己心中的问题,那么这种创建或重建自然就有了历史感,有了历史意识,使自己的某种发现切中历史深层的某种脉动,并和同在这历史中走来的他人产生共鸣。历史前提之外,中国古典舞的创建或重建还要有理则进行评价。"理则评价方法"最凸显理念,所以亦称科学"理念类型"("理想类型")的方法,它指事物的连贯性本身所固有的各种可理解的关系,可以用来泛指文化科学的所有概念。人类对客观事物的认识需借助概念,并且只有对它们概念化后才能使其成为认识的对象,才能有宽广视野的比较和分析。"文化"如此,"精神生活"如此,狭义文化中精神生活之一的"古典舞"亦如此。抽去"古"字的理则评价,说不上"古代经典";而抽去"古典"的理则评价,"古典舞"的概念则不能成立。In the process of creating or rebuilding Chinese classical dance, many practical problems are often also historical issues, and vice versa. If we can bridge historical issues and practical problems and take them as our own problems, then we will naturally have a sense and consciousness of history, explore the relation between our findings and some historical phenomenon, and resonate with others through history. Besides historical premise, we also need some evaluation criteria in creating or rebuilding Chinese classical dance. Human beings need to apply concepts to understand objective things, and only after the conceptualization of these things can they become the object of knowledge, and can we make comparison and analysis under a broad vision. This is true of ＂culture＂, ＂spiritual life＂ and ＂classical dance＂ which is one form of spiritual life in a narrow sense of culture. If a thing does not meet the evaluation criterion ＂ancient＂, it cannot be called ＂ancient classics＂ ; if a dance does not meet the evaluation criterion ＂classical＂, it cannot be called ＂classical dance＂.

关 键 词：古典舞 历史前提 文化理则 舞蹈学 

分 类 号：J722.4[艺术—舞蹈]