黔北傩戏神谱的特点  

Characteristics of Nuo Opera's Theogony in North Guizhou

作　　者：吴德盛[1] 

机构地区：[1]遵义师范学院人文与传媒学院,贵州遵义563002

出　　处：《遵义师范学院学报》2016年第1期142-146,共5页Journal of Zunyi Normal University

摘　　要：黔北傩戏是极有研究价值的"农民戏剧"。其神谱的和合性集中表现在以巫术为底色,以道教为主体,结合儒佛思想及其表现形式,融合巴楚和多民族文化基调,形象地反映了黔北人质朴、务实、守成性格形成的文化渊源,同时又深刻地彰显了黔北人民相互包容相互帮助,共同超越的历史意蕴,对当下和谐社会的构建有一定意义。The nuo opera of north Guizhou, a kind of＂farmer drama＂, is of great values for studying. The harmonious integration of its theogony is characteristic of taking black art as the ground color, regarding Taoism as the main body and combining Confucianism, Buddhism and their forms of expression. It is blended with the tone of Bachu and multi-nationality culture. And the characteristic reflects vividly the cultural origins from the simple, pragmatic and conservative character of people in north Guizhou and meanwhile highlights the historical implications of mutual tolerance, mutual assistance and common victory, which are significant for the construction of the current harmonious society.

关 键 词：黔北 傩戏 神谱 和合 

分 类 号：J805[艺术—戏剧戏曲]