中国诗学的“情性”本体论传统  

Sentiment and Nature Ontology Tradition of Chinese Poetics

作　　者：霍俊国[1] 

机构地区：[1]曲阜师范大学文学院,山东曲阜273165

出　　处：《菏泽学院学报》2016年第1期32-37,52,共7页Journal of Heze University

基　　金：山东省社科规划项目"景观理论视野下当代中国影像消费问题"(编号12DWXJ006)

摘　　要：关于对本体的认识,中国诗学中一直存在着是"情本体"还是"性本体"的争论。中国的本体论传统与其说是重情轻理的情本体论或重理轻情的性本体论传统,则不如说是一种追求情理和谐的"情性"本体论传统更符合实际。"情性"异于"性本体"之"性",异于"情本体"之"情",也不同于"性情"。作为一个词,它是偏正结构,主词是"性",但性却是有情之性,而情是性中之情,情与性不可分,所以"情性"这个词的最根本之处在于情与理的天然和谐。以"情性"为本体是中国诗学的传统,但集大成者却是王国维。On the understanding of the ontology,there always exists a debate between Emotion Noumenon and Nature Noumenon in Chinese poetics. It is more practical to take it as Sentiment and Nature Ontology with a pursuit of reason and harmonious nature. Different from either emotion or nature,Sentiment and Nature is a partial- structured phrase implying the natural harmony between emotion and reason. Chinese poetics has such sentiment and nature ontology tradition,of which the exponent was Wang Guowei.

关 键 词：中国诗学 情性 情性本体 

分 类 号：I052[文学—文学理论]