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作 者:汪贻菡[1]
机构地区:[1]南开大学中文系,天津300071
出 处:《长江师范学院学报》2016年第2期77-83,共7页Journal of Yangtze Normal University
摘 要:虽然有着近一个世纪的写作史,本土"非虚构"文学却始终作为边缘文类与虚构文学并存;2010年以来《人民文学》"非虚构"栏目的设置让该写作模式重回聚光灯下,也一并引发了持续近5年的批评与论争。5年后媒体关注度趋于平稳,非虚构写作在各大主流文学杂志中已趋于常态化,批评界的思考也在逐步地深入。梳理2010年以来关于非虚构文学写作的研究,综述其命名之争、兴起缘由、意识形态与写作悖论等几个主要胶着点,以期回答关于何为真实、如何在场等文学本体论的基本问题。In spite of a history of about 100 years, 'non-fictional' literature has always domestically co-existed with fictional literature as a marginalized literature. Since People's Literature set up a column 'non-fiction'in 2010, this type of writing mode has become highlighted again, and caused criticism and debate which lasted 5years. Five years later, the attention has become constant, as non-fictional writing has become normalized in major literary journals and the thinking in critic circle is being deepened. Combing through the researches of non-fictional writing since 2010, the writer of this article makes a summary of the dispute about the naming, the origin,and the paradox between ideology and writing, in the hope of answering the basic literary ontological questions about what is authenticity, and how it is on site, etc.
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