囊玛厅:西藏传统艺术符号的消费转向  

Nang Ma Club and Consuming Changes of Tibet Traditional Art Symbols

作　　者：张学海[1] 

机构地区：[1]西藏民族大学文学院,陕西咸阳712082

出　　处：《西藏民族学院学报（哲学社会科学版）》2016年第1期59-64,155,共6页Journal of Tibet Nationalities Institute(Philosophy and Social Sciences Edition)

摘　　要：囊玛厅是当代西藏都市社会文化休闲和消费的场所,也是当代西藏城市大众文化的独特形式。它从西藏传统艺术文化转化而来,成为现代西藏大众文化消费的符号,表现了传统文化符号在现代社会生活的独特意义。本文从囊玛歌舞艺术的基本内涵出发,分析了在囊玛厅中囊玛作为传统艺术符号的变化,揭示了其消费特征,探究了形成囊玛厅文化消费现象的原因,并阐述了这种现象产生的多重意味,指出其对传统文化的现代转化的借鉴价值。Nang Ma club is a main entertainment place for people in Tibet, and a unique form of mass enter-tainment. Nang Ma is transformed from traditional art, and becomes a symbol of mass culture consumption. Thepaper analyses the club and its role in spreading Nang Ma, reveals its consuming features, and discusses the rea-son for the phenomenon. The paper also discusses the multiple meanings for its popularity and makes suggestionfor modernization of traditional art

关 键 词：囊玛厅 囊玛 消费转向 原因 

分 类 号：J607[艺术—音乐]