论普希金笔下的彼得堡城市空间  

On the city space of Pushkin's Petersburg

作　　者：傅星寰[1] 骆建嘉 

机构地区：[1]辽宁师范大学文学院,辽宁大连116081

出　　处：《辽宁师范大学学报（社会科学版）》2016年第2期69-74,共6页Journal of Liaoning Normal University(Social Science Edition)

基　　金：国家社科基金项目(14BWW027);教育部人文社科项目(12YJA752007)

摘　　要：法国思想家列斐伏尔认为,城市空间不是单纯的几何学或地理学概念,而是历史发展的产物和社会矛盾的测量仪。任何城市空间都具有物质性、精神性和社会性的三重属性。普希金笔下的彼得堡城市空间——皇村、涅瓦大街、涅瓦河、瓦西里耶夫岛,分别以俄国现代化的"异托邦"、魔幻的"自由空间"、隐喻性的"中介"和"离心"之地的空间隐喻与彼得堡的"浪漫之城""影子之城""罪恶之都"的城市意象一道,共同构筑了彼得堡光耀与幽暗的双重本质。这些城市空间全面记录了普希金对俄国现代性感受,由文艺复兴式的豪迈信念到现代主义式的悲观质疑,成为作家的心理镜像。The French ideologist Lefebvre believe that city space is not a simple geometry or geography concept,but the product of historical development and the measuring instrument of social contradiction.Any city space has three attributes：material,spiritual and social.The city space of Pushkin＇s Petersburg—Tsarskoye Selo,Neva Street,Neva river,Vasiliev island,which has express the Spatial metaphor of the Russian,modernized＂heterotopias＂,magical＂free space＂,metaphorical＂intermediary＂,and＂Centrifugal＂of the land.The city space and the City image—＂romantic city＂,＂shadow city＂and ＂evil City＂was the constitute of the double essence of the glorious and dark Petersburg.These city space did record Pushkin＇s perception of the modernity of Russia completely,which transformed from the heroic Renaissance faith to the modernistic and pessimistic doubt and become the mental mirror image of the author finally.

关 键 词：普希金 彼得堡 城市空间 隐喻 现代性 

分 类 号：I109[文学—世界文学]