萨特“自由”观及其对黑人存在主义艺术哲学的影响  

Sartre's Conception of Freedom and His Influence on Black Existentialism of Arts

作　　者：黄坚[1] 

机构地区：[1]长沙理工大学外国语学院,湖南长沙410015

出　　处：《西北大学学报（哲学社会科学版）》2016年第2期54-58,共5页Journal of Northwest University：Philosophy and Social Sciences Edition

基　　金：国家社会科学基金规划课题一般项目(11BZW016)阶段性成果;教育部人文社会科学研究规划项目(14YJA752004)

摘　　要：萨特存在主义哲学"自由"观及其所涵摄的"焦虑"与"自欺"情感逻辑,是其诊断与治疗反犹主义与反黑主义的基本哲学武器。正是通过对种族主义的理论思考与行为实践,萨特建立了与黑人存在主义哲学及其艺术的广泛联系,并在事实上影响了20世纪黑人存在主义哲学艺术的基本观念与创作导向。The conception of freedom and logic of feeling as ＂ anguish＂ and ＂ bad faith＂ are fundamental weapons of Sartre＇s existentialism to help him diagnose and treat anti- Semitism and anti- Black Racism. Through his theoretical thinking and act of practice on all kinds of ＂ isms＂,Sartre has established his wide links with black existentialism and black arts. Indeed,this great philosopher exerts his influence on the basic view and creative guidance of black existentialism of arts.

关 键 词：萨特 自由 焦虑 自欺 黑人存在主义 

分 类 号：B565.53[哲学宗教—外国哲学]