论日本民族的“消亡美学”——以北野武电影《花火》《玩偶》为参照  

The “death aesthetics” of the Japanese nation—take Kitano Takeshi's films “Hanabi” and “Dolls” for examples

作　　者：杨琼[1] 

机构地区：[1]漳州职业技术学院,福建漳州363000

出　　处：《漳州职业技术学院学报》2016年第1期24-28,共5页Journal of Zhangzhou Institute of Technology

摘　　要：比起盛开的樱花日本人更欣赏其随风飘零,这是日本民族传统的审美意识"消亡美学"的一种具体体现。除了例举日本的和歌等传统的文学作品之外,着重分析日本人的这种独特的审美意识在北野武电影代表作中的体现,并探讨日本人的"世事无常"观与"消亡美学"形成的关系。Compared with the blooming sakuras, Japanese people appreciate the falling ones more, which is the very concrete reflection of the nation＇s death aesthetics. Besides the example of Waka and other Japanese traditional literary works, the paper analyzes the unique Japanese aesthetic consciousness embodied in Takeshi＇s movie masterpieces. Moreover, it probes into the relationship between the Japanese people＇s ＂concept of impermanence＂ and their ＂death aesthetics＂.

关 键 词：消亡美学 樱花 无常观 

分 类 号：I313[文学—其他各国文学]