“十七年文学”中的钱谷融  

Qian Gurong in Literary Criticism from 1949 to 1966

作　　者：许见军 

出　　处：《文艺理论研究》2016年第1期53-63,共11页Theoretical Studies in Literature and Art

基　　金：国家社科基金一般项目"跨文化语境与20世纪中国文学批评转型研究"[12BZW018]的阶段成果

摘　　要："十七年文学"是一个特殊的文学生存时期,政治对文学的强制规范与文学对政治的反叛、逃离同时并存,其间潜藏和交织着"一体化"的文学规范和异质的文学批评之间的对话与交流。在此历史境遇中,从国统区跨入新中国的钱谷融经历了从政治认同身份的焦虑到文学身份的回归,再到"人学"坚守的三个重要的人生阶段。在每一个阶段中,钱谷融都做到了不失自我,保持自我,体现了铮铮铁骨的文人气息,为无数后辈学人树立了可贵的人文标杆。The first seventeen years from the establishment of P. R. China to the Cultural Revolution（ 1949 to 1966） is a special period for literary survival. In this period,the constraints and restraints of politics on literature co-exist with literature＇s rebellion against and escape from politics,which are intertwined with the dialogue and communication between the ＂integrated＂literary norms and the heterogenic literary criticism. Under this historical context,Qian Gurong went through three important stages in his life,namely,the anxiety of political identity,the return to literary identity,and the adherence to ＂humanistic study. ＂In each stage,Qian Gurong managed to maintain an integrate self-identity of a humanistic scholar.

关 键 词：“十七年” 文学批评 钱谷融 “人学” 

分 类 号：I0[文学—文学理论]