论法兰克福学派的大众文化批判理论  

On Frankfurt's Popular Culture Criticism Theory

作　　者：李小娟[1] 

机构地区：[1]黑龙江大学<求是学刊>编辑部,哈尔滨150080

出　　处：《北方论丛》2001年第4期22-26,共5页The Northern Forum

摘　　要：真正的艺术作为最精致的文化造物是人的自由自主的本质的最深刻的体现 ,以及人类社会进化的重要的内在驱动力。但在现代发达工业社会的背景中 ,艺术也不可避免地走向了异化。这种异化的艺术集中表现为大众文化。法兰克福学派从大众文化的商品化———创造性的丧失、大众文化的齐一化———个性的虚假、大众文化的欺骗性———超越纬度的消解和大众文化的操纵性等方面剖析大众文化对人的存在的负面影响。要扬弃大众文化的异化 ,必须扬弃人的本质的异化 ,恢复艺术和审美的个性和创造本质 。As the most exquisite cultural creation, real art is both the most profound embodiment of man's free and unrestrained nature,and an important inner drive for human socialization. However, against the background of modern developed industrial society, art has been inevitably on the path of alienation. This alienated art focally embodies popular culture. From the perspective commercialization of popular culture, the article conducts an analysis of the negative impact of the loss of creativity,the standardization of popular culture,the false individuality, the deceptiveness of transdimensional diminishment, and the manipulation of popular culture, etc. To get rid of the alienation of popular culture,the alienation of human nature must be eliminated to recover the artistic and aesthetic individuality and creative nature, i.e.,to recover the free and unrestrained living style of man.

关 键 词：法兰克福学派 大众文化 异化 批判理论 

分 类 号：B089[哲学宗教—哲学理论]