近现代东方绘画与西方艺术的发展关系研究  

Development Relationship Between Modern Oriental Painting and Western Art

作　　者：孙国喜[1] 王茁[1] 

机构地区：[1]天津大学王学仲艺术研究所,天津300072

出　　处：《天津大学学报（社会科学版）》2016年第1期26-29,共4页Journal of Tianjin University：Social Sciences

基　　金：国家社会科学规划重大基金资助项目(11&ZD115)

摘　　要：随着15世纪到17世纪欧洲对于新航路的开辟,东方与西方相对孤立的文明开始初步会合和交融。明治维新后,日本与西方现代文明全面接轨。通过对近现代留日美术家的大量作品研究,论证了多数留学日本的中国画家绘画的技法和艺术颇受欧洲印象派的影响,而日本绘画较早受西方印象派画风影响的主要原因是日本的浮世绘和欧洲的印象派二者同源。通过对近现代东方绘画与西方艺术发展的剖析,从而对中国画坛极为复杂的派别情况加以探讨,同时梳理了日本画的艺术传承,归纳了印象派诞生的多个必要条件,进而系统论述它们之间的关系。研究结果对今后推动东方与西方艺术和文化的传承与发展有着重要的参考价值。With the new sailing routes opened up by Europeans during 15 th century to 17 th century,the relatively isolated Eastern and Western civilizations began to integrate. After the Meiji Restoration,Japan fully connected with the west.Through studying a large number of works made by the modern artists who had studied in Japan,the article proved that their painting skills were mostly under the influence of the European impressionist. The main reason why Japanese painting was earlier influenced by western impressionism is that the Japanese Ukiyoe and European impressionist have the same root.Through the analysis of the development of the oriental painting and the western art,the article studies the complicated factions of Chinese painting. At the same time,through combing the Japanese painting art heritage,summing up the necessary conditions of birth of impressionism,the thesis demonstrates their relationship systematically. The research results play a significance role in promoting the development of eastern and western art and culture heritage.

关 键 词：东方绘画 西方艺术 发展关系 

分 类 号：J01[艺术—艺术理论]