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机构地区:湖北理工学院,湖北黄石435003
出 处:《湖北理工学院学报(人文社会科学版)》2016年第2期68-71,共4页Journal of Hubei Polytechnic University(Humanities And Social Sciences)
基 金:国家社会科学基金青年项目“自然与超越:宋代休闲美学思想研究”,项目编号:12CZX073;湖北省重点学科“艺术学理论”立项建设成果,项目编号:2013XKJS.
摘 要:近日,上海天堤机械设备有限公司应邀到上海市崇明县海塘管理所管辖的江堤进行堤防专用剪草机现场演示,并获得成功。演示现场在崇明岛江堤,作业环境比较差,杂草丛生,且掺杂着大量的一人高的芦苇和灌木,江堤坡度大,坡面坑坑洼洼,还有很多砖头和石块等,公司针对这种复杂环境,选择HMB80型和HMB800型堤防专用小型自走式锤刀剪,Painting in the Northern Song Dynasty, especially landscape painting, is an art form that infuses time into space. It presents comprehensive and profound theme,which is beyond the contradiction of subjec- tivity and objectivity, by demonstrating perpetual rhythm of life, finite space in infinite time and freedom in being and not being, soul and body, sentiment and sight, noumenon and universe. Chinese painting develops to unprecedented exquisiteness and perfection in this period,which indicates the beginning of the golden era of Chinese painting. The representatives of the aesthetics trend are the "simplicity" of Xinfu Huang," exten- siveness" of Xi Guo and "insight" of You Dong.
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