目观与心识的审美融通——《文心雕龙》潜存的文图关系理论  

Aesthetic Blending between Seeing and Knowing: the Theory about Relationship between Literature and Picture in Wen Xin Diao Long

作　　者：张坤[1] 

机构地区：[1]南京大学文学院,江苏南京210023

出　　处：《学术探索》2016年第4期76-81,共6页Academic Exploration

基　　金：国家社科基金项目(12BZW011)

摘　　要：目观和心识是《文心雕龙》中一对紧密联系、相互融通的审美范畴,可从三个维度做细致阐发:就文章的源发而言,可见的物象经过作家的创造变成了可读的语象;就文章的创构而言,作家只有深入开掘内心,才能使其篇章展现麟凤龙虬般的文采;就文章的欣赏而言,古来作者的肉身早已不可见,但读者却可以即文求理,入其情想见其人。Seeing and knowing are a pair of aesthetic categories in Wen Xin Diao Long, which are inextricably linked and blend to each other （In ancient China, seeing fell to eye philosophy, and knowing heart culture）. We can explain this question in de- tail from three dimensions. In article origin, objects that can be seen are changed into language images, which can be read. In writing, only the writer who explores his heart deeply could display literary grace like unicorn, phoenix and dragon through his text. In article appreciation, the ancient author cannot be seen, but the reader can know and understand him through his essay.

关 键 词：物象 语象 目观 心识 文图关系 

分 类 号：I206[文学—中国文学]