巴什拉对现象学的贡献  

Bachelard's Contribution to Phenomenology

作　　者：张璟慧[1] 

机构地区：[1]河南大学英美文学研究所,河南开封475001

出　　处：《河南大学学报（社会科学版）》2016年第2期113-120,共8页Journal of Henan University(Social Sciences）

基　　金：2012年度河南省哲学社会科学规划项目"巴什拉五部想象专著的‘诗’学研究"(2012BWX017)阶段性成果

摘　　要：现象学作为肇始于胡塞尔的哲学方法论,迥异于西方形而上的哲学传统,深刻影响了现代哲学的走向。但不可否认,现象学并未结出它应有之果,仍具有缺陷与未完成性,始终处于后世思想家的不断改造之中。巴什拉的诗学思想,即想象理论,使主体摆脱有限性,客体成为存在整体,存在超越时空,亦即全方位的间性与超越得以完成,是对现象学的回应与贡献之一。巴什拉的思想轨迹昭示了一种个体性现象学的可能性与必然性:建于文艺审美基础之上的现象学才真正符合现象学的设定初衷,而审美关注的就是个体体验。Different from the traditional Western metaphysical philosophy,phenomenology,the philosophical methodology as created by Husserl,has profoundly impacted the trend of modern philosophy. However,there is no denying that phenomenology still has defects and incompleteness thus has not borne the fruit as expected.Thinkers of later ages never cease to renovate and improve it.The theory of imagination and reverie of Gaston Bachelard,by means of subject surpasses finiteness,object becomes the overall,and existence transcends time and space-full range of intersubjectivity and transcendence is thus completed,is one of the response as well as contribution to phenomenology.And the thinking track of Bachelard suggests the possibility,inevitability and significance of an individual phenomenology;phenomenology that is rooted in the realm of literature and art,in other words,aesthetics,is the one that truly accords with the original set of＂phenomenology＂,and/since aesthetics is meant to be personal.

关 键 词：胡塞尔 现象学 加斯东·巴什拉 想象 美学 

分 类 号：I0[文学—文学理论]