冲突之下的回归:深层生态学视野下的《狼图腾》  

A Return after Conflict:A Deep Ecological Study of Wolf Totem

作　　者：阮世勤[1] 

机构地区：[1]广州民航职业技术学院人文社科学院,广东广州510403

出　　处：《吉林艺术学院学报》2015年第6期45-48,共4页Journal of Jilin University of Arts

摘　　要：201 5年上映的中法合拍片《狼图腾》讲述了上世纪6 0年代城市青年到内蒙古大草原上插队的故事。电影通过以机械文明为主要特征的城市农耕文明与以生态栖息为主要特征的草原游牧文明的冲突,展示了以人类中心主义为指导的城市农耕文明对大自然生态所造成的伤害,展示了两种不同类型的自我构建,揭示了当前我国社会经济发展所面临的生态困境的历史根源。Wolf Totem, a Sino-French movie released in 2015, narrated the story of two young men coming to the prairie of Inner Mongolia to live and settle in 1960 s. Through the conflict between the urban agricultural civilization characterized by mechanism and the prairie nomadic civilization, the movie revealed the fatal influence of the urban agricultural civilization, conducted by the anthropocentrism, on the natural environment, displayed two different kinds of ego construction and eventually highlighted the historical roots of the eco predicament our country are confronting with in the process of the social economic development.

关 键 词：深层生态学 草原 大自然 游牧文明 农耕文明 狼 

分 类 号：J902[艺术—电影电视艺术]