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作 者:赵建军[1]
出 处:《井冈山大学学报(社会科学版)》2016年第2期99-107,共9页Journal of Jinggangshan University(Social Sciences)
基 金:国家社科基金项目"中古后期佛教般若美学范畴与美学流变"(项目编号:13BZW014)
摘 要:后现代视阈下的文学理论场域,凸显出一种对传统视界理论话语的突破。借助理论涵义的突破与新媒介的合谋,文学理论实现了整体话语形态的颠覆。首先,文学理论的意识形态化阐释,在体现当代人性本真与现实性统一的场域方面,完成了话语增殖。其次,在非意识形态的文学理论场域方面,通过"图像理论"、"叙事理论"、"意象理论"等的探索掘进,促成中国文学理论的本质、构成蕴涵的相应转换。总之,后现代视阈下的文学理论场域针对现代性的理论症候,向后现代涵义的文学理论研究转换,这种转换注重宏观逻辑与文学自身话语身份的研究,注重文学理论的涵义研究,将深化和推动中国文学理论的未来发展。The literary theory field in postmodern horizon highlights a breakthrough of the literary theoretical discourse in traditional horizon. Through an allegiance between breakthrough of theoretical connotations and new media, literary theory undergoes subversion in overall discourse forms. Firstly, the ideological interpretation of literary theory realize discourse increments in fields of integration between authenticity and reality of modern humanity; secondly, in the field of non-ideological literary theory, the subversion of nature and constitutions in Chinese literary theory has been completed through explorations of " image theory", " narrative theory" and " icon theory", etc. In short, the literary theory field in postmodern horizon has undergone shift from studies of modern theory symbolic to postmodern connotative.Such a shift focused on the studies of macro-logic and literary discourse and the studies of connotations of literary theory. It will further deepen and promote the progress of Chinese literary theories.
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