论梁代前期诗歌的多元交错局面  

The intersectionalityof poetry in the early Liang Dynasty

作　　者：郭晨光[1] 

机构地区：[1]北京师范大学文学院,北京1008751

出　　处：《中南大学学报（社会科学版）》2016年第2期174-179,共6页Journal of Central South University：Social Sciences

基　　金：国家社科基金重大项目"<全先秦汉魏晋南北朝文>编纂整理与研究"(10&ZD103)

摘　　要：梁初天监、普通年间,齐梁文人围绕着萧衍、萧统父子为核心的文学集团,形成了既不同于永明体,也不同于宫体诗的诗风。学界对梁前中期文学评价普遍较低,认为只是永明诗风的延续,多于守成而少开创。其实,梁初社会阶层构成的变化,士庶的融合,导致诗风呈现出总杂、多元交错的局面,与昭明集团的文学观念密切相关。对永明体的进一步发展,是永明诗歌高潮和宫体诗歌高潮之间的重要过渡,其贡献不容忽视。The literature group with Xiao Yan and his son Xiao Tong as the core men of letters gradually formed aspecial literary style which differed from Yongming Style and Gongti Poetry during the years of Tianjian and Putongat the beginning of the Liang Period. Poetry in this period is considered of low value in academics. Critics hold that it isjust an extension of Yongming Style which lacks innovation. In fact, the social changes and fusion of gentry and civilianwhich lead to the stylistic intersectionality have something to do with the literary principles of Zhaoming Group.Further development of Yongming Style is an important transition from the climax of Yongming Style and GongtiPoetry, which can not be neglected.

关 键 词：萧衍 萧统 永明体 多元交错 

分 类 号：I222.7[文学—中国文学]