元代水浒戏与小说《水浒传》中李逵形象的比较分析  

Comparative Analysis of Likui's Image Between Shuihu Drama of Yuan Dynasty and The Water Margin

作　　者：李宝奎[1] 

机构地区：[1]曲阜师范大学文学院,山东曲阜273165

出　　处：《湖北职业技术学院学报》2016年第1期37-39,13,共4页Journal of Hubei Polytechnic Institute

摘　　要：元代以前,李逵只是一个文字符号,元杂剧时代随着大量水浒戏的诞生,李逵形象迅速丰富起来,为小说《水浒传》塑造李逵形象奠定了基础。小说《水浒传》在很大程度上继承并发展了元杂剧中李逵形象的特点,这一变化凸显了不同时代的人们对李逵形象的不同认知和寄托。Before the Yuan dynasty, Likui was just a text symbols. However, through the birth of the large a- mounts of Shuihu Drama, Likui＇s image was enriched rapidly, which also means entering to Yuan Drama Era. The vivid image of Likui laid a solid foundation for The Water Margin. To a great extent, Likui＇s image that further de- veloped to an integrated image in The Water Margin inherited from the characteristics of Likui＇s image in the Yuan drama. Additionally, it is The Water Margin that reveals different cognitions of Likui＇s image from people in differ- ent times.

关 键 词：元杂剧 水浒戏 水浒传 李逵 

分 类 号：I206.2[文学—中国文学]