影视角色“同人”创作与新媒体传播  

The Fan Creation for Film and Television Roles and New Media Communication

作　　者：刘琴[1] 

机构地区：[1]南昌航空大学,江西南昌330063

出　　处：《南昌航空大学学报（社会科学版）》2016年第1期68-73,共6页Journal of Nanchang Hangkong University(Social Sciences)

基　　金：2014年教育部人文社会科学研究一般项目"移动互联网数字阅读环境下文学传播研究:现状;问题与路径思考"(14YJCZH100)

摘　　要：影视角色"同人"创作源于大众对角色的改写或重写意识,它们在新媒体管道的多向度建构中被充分激活。影视传播的可控性从而被稀释,而新媒体传播从"受众赋权"到"受众赋能"的演变,也推动了传播主体、管道和过程的话语权力关系的解构与重构。以晋江文学城和土豆网为样本考据点,以部分代表性影视角色"同人"创作的文字文本和影像文本为研究样本,对其在新媒体传播中的粉丝社群化模态的运行逻辑作出了探察。The fan creation for film and television roles originated in the rewrite or rewrite consciousness,they are in the new media in the pipeline to build fully activated. Controllability of film and television transmission to be diluted and new media,from empowerment audience to the evolution of the audience can,also in the process of promoting the dissemination of the main body,pipeline and discourse power relations of deconstruction and reconstruction. Papers in Jinjiang city of literature textual research and potatoes network sample points,in part to representative to the text and image text as the research sample,to make exploration the logic of the social mode of the fans in the new media.

关 键 词：影视角色 “同人”作品 新媒体传播 

分 类 号：G206[文化科学—传播学]