发生学视域下美学“游”的范畴略论  

Under Occurred Horizon Aesthetics " Travel" Category Brief

作　　者：鲁梅娟 

机构地区：[1]广西师范学院文学院,广西南宁530001

出　　处：《牡丹江师范学院学报（社会科学版）》2016年第2期55-59,共5页Journal of Mudanjiang Normal University(Social Sciences Edition)

摘　　要："游"字的含义经历了由最初指古代旌旗的下垂饰物,逐渐发展为谓词性的表示不固定、自由自在行动之意的演变。"游"的美学生成,主要以儒家的"游于艺"、道家的"逍遥游"与禅家"游戏三昧"的哲学文化为基础。这三者共同揭示了"游"的本质是追求超越,体验自由,同时表明"游"就是审美的,为"游"成为一个美学范畴奠定了基础。"游"作为一个美学范畴先后经历了先秦两汉的萌芽,魏晋六朝的形成与发展,并在宋元明清时期不断完善。其贯穿始终的核心审美特征,是审美的自由性、超越性,强调主客体交融。The Tour＂experienced by the meaning of the word originally refers to the ancient ornaments hanging banners evolved into predicative representation is not fixed,meaning the evolution of freedom of action.＂ Tour＂ Aesthetic main Confucian＂ in Art＂ Taoism＂ Escape＂ Zen＂game Samadhi＂ philosophy and culture as the basis,all three together reveal：the essence of travel is the pursuit of transcendence,it is the experience of freedom,indicating that＂ You＂ is the aesthetic,to＂swim＂ has become an aesthetic category basis.the＂tour＂ as an aesthetic category is experiencing Qin and Han bud,Dynasty to the formation and development in the Ming and Qing constantly perfected,it runs through the core of the aesthetic characteristics of aesthetic freedom beyond,emphasizing the main object blend.

关 键 词：“游” 文化溯源 审美演进 

分 类 号：I01[文学—文学理论]