一个时代镜像中的童话世界——重读顾城  

The Fairy Tale World In an Era Mirror Presented by Gu Cheng

作　　者：杜颖莹[1] 

机构地区：[1]上海师范大学人文学院,上海200234

出　　处：《鸡西大学学报（综合版）》2016年第4期130-134,共5页JOurnal of Jixi University:comprehensive Edition

摘　　要：顾城,八十年代"童话诗人",以灵动的自然意象、儿童的生活视野、天真的画面布局构建了单纯幻想的乌托邦,被称为"唯灵浪漫主义诗人"。诗人始终以孩子的视角观察世界,用童稚化的语言表达对现代城市的拒绝、对成长的焦虑以及对生命的思考。同时,诗人的创作轨迹与七八十年代的文学思潮互为照应,是八十年代文学视野中的镜像,其寻找"自我"的过程是这一代人的共同反映;而诗人童话世界的崩裂体现了八十年代人道主义的脆弱性。Gu Cheng is called as the fairy tale poet in the 1980 s,whose works are full of a simple and fantasy utopia and children＇s view of life. so he is also known as the romantic poet,observing the world by the angle of the children＇s view. He refuses to the modern city life and described the life by childish language. Meanwhile,the poet＇s creative trajectory is mutually coordinate with the end of 1970 s to 1980s＇ literature ideological trend. As a result,Gu Cheng is the mirror image in the 1980s＇ literary field,which is the process looking for‘self＇of that generation. But the split of the fairy tale world also reflects the humanitarian＇s vulnerability in 1980 s.

关 键 词：顾城 童话世界 自然 人道主义 

分 类 号：I227[文学—中国文学]