禅宗思想在现代家具设计中的应用  

THE APPLICATION OF ZEN THOUGHT IN MODERN FURNITURE DESIGN

作　　者：张帆[1] 赵子鈞 

机构地区：[1]北京理工大学设计与艺术学院

出　　处：《设计》2016年第10期130-131,共2页Design

摘　　要：禅宗是中国特色的本土佛教,是中国传统文化中非常重要的一部分,禅宗美学思想是中国三大美学思想之一,它所蕴含的尊重人性、尊重自然,反对浮夸,注重内在本质的特性,正是处在盲目阶段的中国设计所欠缺的。综观中国设计的现状,如何运用传统文化,以怎样的方式发展是中国设计亟待解决的问题。很多学者都提出了不能只看到传统的外在表现方式,不是运用所谓的中国红、帝王黄就能代表中国的特色,而是要从精神内涵上体现出沉淀了五千年的文化底蕴。作为中国三大主流美学思想之一,禅宗美学诞生于儒家美学与道家美学的基础上,同时它的出现也标志着中国美学走向成熟。本文将从三个方面论述中国传统文化中的禅宗美学在现代家具设计中的应用,分别是禅宗的朴素美学观与家具设计的简约风格,禅宗的自然观与家具设计的绿色设计以及禅宗的阴阳学说与家居设计的阴阳美学特征。Zen is one of the Chinese characteristics of the local Buddhist, is an important part of Chinese traditional culture. The Zen aesthetic thought is one of China＇s three major aesthetic thoughts, which contains the respect for human nature, respect for nature and so on. It is against with the exaggerated and pays attention to intrinsic characteristics. It is important for Chinese design. Looking at the present situation of Chinese design, how to use traditional culture and how to develop it is an urgent problem to be solved in China＇s design. Many scholars believes that it can not only see the traditional external performance way. It is not that using the so-called Chinese red, Emperor Huang can represent China＇s characteristics, but from the spiritual connotation reflects the precipitation of five thousand years of cultural heritage. As one of the three main aesthetic ideas in China, Zen aesthetics was born on the basis of Confucian aesthetics and Taoist aesthetics, and it also marked the maturity of Chinese aesthetics. The article discusses the application of Zen Aesthetics in Chinese traditional culture in the modern furniture design from three aspects, respectively is the view of Zen Aesthetics, Zen Natural View and furniture design green design and Zen doctrine of Yinyang and home design aesthetic features of Yin and Yang.

关 键 词：禅宗 家具 现代设计 

分 类 号：TS664.01[轻工技术与工程]