云南通海蒙古族民歌音乐形态特征研究  

A Research on the Morphological Characteristics of Tonghai Mongolian Folk Music

作　　者：杨佳君[1] 黄睿[1] 

机构地区：[1]玉溪师范学院音乐学院

出　　处：《民族艺术研究》2016年第2期215-221,共7页Ethnic Art Studies

基　　金：云南省教育厅科学研究基金项目"云南少数民族声乐演唱多样性研究"阶段性成果;项目编号:2015C012Z~~

摘　　要：云南省玉溪市通海县兴蒙乡蒙古族自元朝随蒙古军队流入云南,以其特殊的历史演进历程和剧烈的文化变迁在反映少数民族文化的变迁中颇具代表性,而民歌文化作为民族文化的重要组成部分,它的变迁又从一个特殊的视角反映着云南通海蒙古族的文化变迁历程。云南通海的蒙古族民歌音乐虽然还保留着一些内蒙古蒙古族民歌的风格特点,但其在云南历经了七百多年的历史流转,与北方内蒙古蒙古族的民歌已经有了很大的差异。文章从旋律特征、音阶、调式、调性、终止式、节奏、节拍、速度、曲式结构特征、演唱方法、形式等音乐本体各方面来分析其音乐形态,通过对通海蒙古族民歌在云南通海这一特殊的区位中和特殊的历史发展过程中所形成的音乐形态特征的研究,探讨了蒙古族音乐文化变迁的规律。In Yuan Dynasty, a group of Mongolians moved with the Mongolian army to Xingmeng Township, Tonghai County, Yuxi City, Yunan. Such drastic change of history and culture is very representative of the change of other ethnic minority cultures. As folk music is an important part ethnic culture, the Mongolian folk music is a special change of perspective to trace the cultural evolvement of the Mongolians of Tonghai County. More than 700 years have passed after the Mongolians moved to Yunnan, thus, although the folk music of Tonghai Mongolians retains some of the features of Inner Mongolian folk songs, it contrasts greatly with the present Inner Mongolian folk songs. The paper analyzes the folk music of Tonghai Mongolians from its ontological aspects, namely, its melody features, musical scale, mode, tonality, cadence, rhythm, tem- po, speed, musical structure features, singing methods, forms, etc. , and by researching these features of present Tonghai Mongolian folk music which was formed in special region and through special historical de- velopment process, discusses the pattern of Mongolian music culture.

关 键 词：云南蒙古族 音乐特征 民歌 研究 

分 类 号：J607[艺术—音乐]