徽派建筑的设计美学表征与内涵分析  

On the Design-aesthetic Characteristic and Connotation of Hui-style Architecture

作　　者：左铁峰[1] 高巍[2] 

机构地区：[1]黄山学院艺术学院,安徽黄山245041 [2]黄山学院图书馆,安徽黄山245041

出　　处：《黄山学院学报》2016年第2期71-75,共5页Journal of Huangshan University

基　　金：安徽高校人文社科研究重大项目(SK2015ZD23);安徽省高等教育振兴计划重大教研项目(2014zdjy121)

摘　　要：徽派建筑是我国极富个性化、特质化的建筑设计类型,彰显与蕴涵了"天人合一、顺天造物"、"寓意于形、有无相生"等具有代表性与典型性的中国江南古典建筑设计的美学特征与思想,承载和表述了古徽州人对于设计造物文化的诠释与理解。探讨与剖析徽派建筑的设计美学表征与内涵,可以凝练和总结中国传统文化的设计美学思想,为现代设计及其活动提供可供借鉴与参考的设计观和方法论。The design of Hui-style architecture is highly personalized and distinctive, revealing the aesthetic characteristics and thoughts of the representative and typical classical architectural design in southern China, including ＂uniting heaven and man, creating following nature＂, ＂expressing meanings in forms, being and not-being growing out of one another＂, etc. Hui-style architecture carries and expresses ancient Huizhou people＇s interpretation and understanding of design culture. The discussion and analysis of the design-aesthetic characteristic and connotation of Hui-style architecture summarizes the design aesthetics of traditional Chinese culture, and provides meaningful design ideas and methodology for modern design.

关 键 词：徽派建筑 设计美学表征 设计美学内涵 

分 类 号：J59[艺术—艺术设计]