重读德里达影响下的解构建筑  

Reinterpreting Deconstruction Architecture Under Derrida's Influence

作　　者：于泽[1] 王又佳[1] 

机构地区：[1]北方工业大学建筑与艺术学院

出　　处：《华中建筑》2016年第5期15-18,共4页Huazhong Architecture

基　　金：北京市属高等学校青年拔尖人才培育计划资助项目(编号:CIT&TCD201404011)

摘　　要：法国哲学家雅克·德里达开创的解构主义思想影响了文学、艺术等多个领域,而尤以在文学和建筑等领域的影响最为广泛和深远。该文探讨德里达的解构哲学思想与建筑的结合及其诸多表现,追溯巴黎拉维莱特公园的设计构思及对解构建筑的深远影响,将德里达与埃森曼和屈米等建筑师的合作具体化。德里达引领了建筑走向解构的时代,打开了建筑师创作的崭新空间,重新解读德里达的解构思想,对建筑空间、建筑审美走向多元化和通俗化具有重要的指导意义,同时能帮助人们更好地理解当今建筑。Created by French philosopher Jacques Derrida＇s, Deconstruction affected literature, art and other fields, especially for its extensive and far-reaching influence in literature and architecture. In this article, we discuss the combination and performances of Derrida＇s Deconstruction philosophy and architecture, and review Parc de la Villette＇s design conception and its profound influence on architecture. Then we concretize the cooperation between Jacques Derrida, Peter Eisenman and Bernard Tschumi, which leads the architecture into the era of deconstrucfion, Derrida opened the new space for architectural creation, reinterpreting Derrida＇s Deconstruction thoughts has important guiding significance towards the diversification and popularization of architectural space and aesthetic, so as to help people have a better understand of today＇s architecture.

关 键 词：德里达 解构主义 彼得·埃森曼 伯纳德·屈米 场域 

分 类 号：TU-0[建筑科学—建筑理论]