阿纳托利·金小说中的魔怪隐喻  

The Metaphor of Demons and Monsters in Anatoly Kim's Novels

作　　者：王盈 

机构地区：[1]黑龙江大学外国语言文学博士后流动站 [2]哈尔滨工程大学外语系,黑龙江哈尔滨150001

出　　处：《安庆师范学院学报（社会科学版）》2016年第2期24-28,共5页Journal of Anqing Teachers College(Social Science Edition)

基　　金：黑龙江省博士后基金项目"阿纳托利.金长篇小说的新神话诗学特征及其哲思内涵"(LBH-Z12223);黑龙江省哲学社会科学项目"20-21世纪之交俄罗斯长篇小说的悲剧意识及其文化意蕴"(15WWB04)

摘　　要：俄罗斯朝鲜族作家阿纳托利·金小说中的魔怪形象主要可划分为妖怪和魔鬼两种类型。作家从希腊神话、《圣经》、俄罗斯多神教及民间神话、童话故事等汲取素材,与现实背景相结合,赋予这些神奇的形象浓郁的哲理意味。其早期创作中的妖怪意象与民族历史和社会现实紧密融合,表现邪恶、人性的堕落及人的异化等问题。中期创作中的魔鬼反叛上帝,使人性堕落而背离神性,虽是"恶"的化身,却并不完全拒绝善。阿纳托利·金的小说创作经历了一个从描摹恶的存在转向思索恶的根源的过程,意在以宗教救赎祛恶扬善。In the novels by Anatoly Kim, a Korean writer in Russia, monster images can be divided into two types： demons and monsters. The writer not only gets materials from the Greek mythology, the Bible, Russian polytheism, folk legends and tales but ＂also combines them with reality, thus giving those amazing images rich philosophical significance. In the writer＇ s early works, the images of monsters were closely related to national history and social reality and reflected evil, the degeneration of human na- ture and the alienation of human beings. In the works created in the middle period, demons rebelled against God and made human nature degenerate. Although they were the symbol of evil, they did not completely refuse good. Anatoly Kim has experienced the transformation from describing the existence of evil to thinking about the origin of evil in his creation of novels, hoping to dispel evil and use religion as a force for good.

关 键 词：阿纳托利·金 小说 魔怪 隐喻 

分 类 号：I512.074[文学—其他各国文学]