瓦·福金戏剧创新思维的俄国现代派遗音  

Elements of Russian Modernism in V. Fokin's Theatrical Innovation

作　　者：姜训禄[1] 

机构地区：[1]北京师范大学外国语言文学学院俄文系

出　　处：《戏剧（中央戏剧学院学报）》2016年第2期17-26,共10页Drama:The Journal of the Central Academy of Drama

摘　　要：瓦列里·福金是俄罗斯戏剧领域的领军人物,由他执导的第三版《钦差大臣》在京沪两地的演出引起国内戏剧界对其艺术风格的更多关注。在感叹耳目一新之余,仔细观察我们会发现很多所谓"新手段"实际上是"旧"的,福金一直在尝试借鉴20世纪初以梅耶荷德为代表的俄国现代派戏剧思路赋予俄国经典以新生命,同时也不断努力摆脱梅氏的痕迹,执导作品中常见的抽象化、假定性、广场戏剧元素在20世纪初已经作为极其先锋的舞台呈现方法出现在诸多戏剧评论和剧院演出中。此外,对福金艺术手法的分析可以激发我们改换角度思考戏剧形态问题。Valery Fokin is one of the leading figure in modem Russian stage, his direction of The Inspector General aroused great attention during its August performance season in Beijing and Shanghai. Some ＂old＂ features, especially the elements of Russian modernist drama of the past century, could be detected in Fokin＇s so-called new methods. Fokin tries to refer to Meyerhold, and integrated elements such as abstraction, conventionality and street theatre are examined in this paper, with the hope that analysis of Fokin＇s artistic techniques evokes a renewed perspective with regard to the drama form.

关 键 词：福金 俄国现代派 假定性 钦差大臣 梅耶荷德 

分 类 号：J805[艺术—戏剧戏曲]