荒诞中的真实:余华《第七天》中两个世界的叙事策略  

Reality and the Absurd—Narrative Strategies of Two Worlds in Yuhua's The Seventh Day

作　　者：吴玉珍[1] 

机构地区：[1]兰州交通大学文学与国际汉学院,甘肃兰州730070

出　　处：《兰州交通大学学报》2016年第2期21-24,共4页Journal of Lanzhou Jiaotong University

摘　　要：余华的《第七天》以超现实的手法、非凡的想象叙写了现实与幽灵两个世界,既是对前期"苦难"与"死亡"主题的一种延续,又是作者在洞察人生苦难、关照现代人生存价值的意义上,确认了文学的本质。加之小说的视点切换及结构主义叙事、象征主义手法的交错运用,显示了余华新世纪以来创作技巧日臻成熟,达到一种驾轻就熟地步,是质与形的完全融合。Yuhua＇s The Seventh Day describes two worlds of reality and ghosts with a surrealism writing method and incredible imagination,which is not only a topic continuity of ＂suffering and death＂,but also a confirmation of the nature of literature on the basis of ＂an insight into life suffering＂ and the value of survival in modern society.In addition to skillful management of structuralism and symbolism as well as the shifts of perspectives,the author also shows us a more and more mature writing skill and a more and more skillful and free handling of his novel,which is a complete blend of natrue and shape.

关 键 词：《第七天》 两个世界 叙事策略 

分 类 号：I206[文学—中国文学]