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作 者:张旭[1]
机构地区:[1]复旦大学中文系
出 处:《理论界》2016年第4期117-123,共7页Theory Horizon
摘 要:一般认为“二言诗”是诗歌发展的源起。本文通过考索,认为“二言诗”和“二言句”不同,“二言诗”应该从“诗体”的“韵律要求”角度来界定和辨析,具体到如《弹歌》一类的原始歌谣,“二言诗”的概念在诸多方面都显得扦格不谐。对早期歌谣和稍晚成熟诗歌的描述立场是不同的,这启发我们重新审视“二言诗”的问题。It is generally believed that " Er Yan Shi" is the source from the development of poetry. Through analysis of " Er Yah Shi" and " Er Yan Ju", " Er Yan Shi" should change from " Poetry" and " rhythm requirements" to det^ne the angle and discrimination, specifically as to " Ode" category original songs, the concept of " Er Yan Shi" from many aspects of stem cells have become discordant. Early position is described later mature songs and poetry are different, which inspires us to re-examine the " Er Yan Shi" issue.
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