东周君主陵墓对“地下宫殿”的视觉表现  

The Visual Expression of “Underground Palace”in Mausoleum of Emperor in Eastern Zhou Dynasty

作　　者：刘晓达[1] 

机构地区：[1]广东第二师范学院美术学院,广东广州510303

出　　处：《广东第二师范学院学报》2016年第2期97-105,共9页Journal of Guangdong University of Education

基　　金：教育部人文社会科学研究青年基金项目:美术史视野中秦汉时代的"天下"观(15YJC760066)

摘　　要：通过"视觉"图像为国君的灵魂在地下世界安宅立家,以使其长久永生。这一传统在东周时期已经比较成熟。无论是春秋时期楚国大臣鬻拳葬楚文王于地宫等文献信息,还是湖北随县的战国初期曾侯乙墓,抑或是陕西凤翔出土的春秋晚期秦雍都一号陵园1号大墓,其所呈现的为死者营造"地下宫殿"的主题都是较为明显的。此种图像表现也直接对秦汉时代帝王陵墓的营造产生了一定影响。The tradition of visual image to constructing underground-palace became established in Eastern Zhou Dynasty. The underground-palace Yu-Quan buried King Wen of Chu in,the tomb of marquis Yi of Zeng of the early warring states in Sui county in Hubei province,the No. 1 cemetery of Yong capital of later Spring and Autumn Dynasty in Fengxiang in Shanxi Province, had obviously presented the subject of underground-home and underground-palace. Meanwhile these visual expressions also had a profound effect on the building of Emperor mausoleum in Qin and Han Dynasties.

关 键 词：东周 君主陵墓 “视觉”图像 思想 “地下宫殿” 

分 类 号：K878.8[历史地理—考古学及博物馆学]