从梅里亚姆的界定看民族音乐学的学科本质——““民族音乐学的学科本质及研究局限”之二  

To View the Discipline Nature of Ethnomusicology from the Definition by Merriam—“The Discipline Nature and Study Limitations of Ethnomusicology”II

作　　者：杨善武[1] 

机构地区：[1]河南大学音乐学研究所

出　　处：《黄钟（武汉音乐学院学报）》2016年第1期36-45,共10页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：梅里亚姆为民族音乐学所作界定,由人类学思潮所引起,按照人类学要求作定义,行为研究为中心的模式出自人类学,工作流程属于人类学文化研究的框架,学科方法来源于人类学,研究目的本是人类学的泛目的。从梅里亚姆起,民族音乐学就已经被明确纳入人类学,成为一个将无数人类普遍现象中的音乐现象作为切入对象的人类学的分支研究了。Merriam defined ethnomusicology, caused by the trend of thought in an- thropology, made definition accordance with the requirements of anthropology, be- havioral research-center model from anthropology, the workflow belongs framework of cultural studies of anthropology, interdisciplinary approaches from anthropology, the purpose of this study is the generic purpose of anthropology. From Merriam, the ethnomusicology had already been explicitly incorporated into anthropology, and so the music phenomenon as cut object became a branch of anthropological research objects.

关 键 词：梅里亚姆 界定 民族音乐学 学科本质 人类学 

分 类 号：J607[艺术—音乐]