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作 者:迟欣[1]
出 处:《外国语文》2016年第1期82-89,共8页Foreign Languages and Literature
基 金:教育部人文社会科学研究一般项目"认知诗学视阈下的美国‘垮掉派’诗歌研究"(13YJA752002)的阶段性成果
摘 要:戴安娜·迪·普利玛在文学上的实验与创新,对主体身份的苦苦追寻,以及作品中体现出的精妙与睿智是对以男性作家为主流的"垮掉的一代"文学流派的映照和补充。其代表作《狼女》被认作是可以与金斯伯格的名篇《嚎叫》相媲美的一部史诗。根据Lakoff以及Fauconnier提出的当代隐喻理论,以始源域和目标域的相似性为基础,笔者总体分析了语言中有关"狼"形象的内在认知机制,阐释和剖析《狼女》中有关"狼"隐喻的内涵一方面验证了概念隐喻的普遍性特征;另一方面也彰显了普利玛对概念隐喻的沿承、颠覆与重构,从而进一步理解和欣赏了普利玛带有女性主义色彩诗歌的独特魅力。With her experiment and innovation in literature, persistent quest for identity, and subtleties and wisdom demonstrated in the works, Diane di Prima mirrors and replenishes the Beat Generation, a literary genre led by male writers. Her masterpiece Loba is regarded as an epic which can rival the famous work Ginsberg' s Howl. According to contemporary metaphor theory put forward by Lakoff and Fauconnier, and based on similarities shared by source domain and target domain, the writer generally analyzes the inner cognitive mechanism of the image "wolf" in language. Furthermore, the connotation of metaphor related to "wolf" in Loba is explained and analyzed. In this way, the essay proves the universality of conceptual metaphor; and on the other hand, it indicates that Prima has inherited, overturned and reconstructed conceptual metaphor, making readers better understand and appreciate the unique charm of Prima' s poems, characterized by feminism.
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